The Year So Far
A Behemoth Playlist
Craft/Work
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Postcards From The Edge: Crocodile Cradle At Peer, Hoxton
“I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man...
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House Of Paint: Big Jeff Johns Interviewed
Some folk attend gigs with such devotion that they are in danger of developing the kind of lege...
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Rapid Ear Movements: The Rebellious Objects Of Sound Artist Zimoun
On first approaching the new work by Zimoun, the listener is confronted with what appears to be...
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Daniel Johnston’s Psychedelic Drawings: A Swirling Trip Through ‘Outsider Art’
POW, 1978. Ink and marker on paper. 11 x 8.5 in Daniel Johnston, the legendary outsider artist ...
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An Eye That listens: An Interview With Eddie Otchere
All pictures courtesy Eddie Otchere Eddie Otchere is a curator, photographer and educator. His ...
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Xs & Ys: Cindy Sherman At Sprüth Magers, Berlin
Cindy Sherman, Untitle #609, 2019. © Cindy Sherman. Courtesy Sprüth Magers and Metro Pictures, N...
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Touching From A Distance: An Interview With Tarek Atoui
Tarek Atoui performing at the opening of Tarek Atoui: Cycles in 11. Sharjah Art Foundation, 2020...
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Thoroughly Modern Richie: A Hamilton Re(tro)spective At Pallant House, Chichester
Richard Hamilton, Just what is it that makes today's homes so different? 1992, digital print on ...
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Hard Wet Epic: The Fluid Seductions Of Lynette Yiadom-Boakye
Lynette Yiadom-Boakye, Tie the Temptress to the Trojan 2018. Collection of Michael Bertrand, Tor...
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Slipped Discs: Record Sleeves By Contemporary Artists
The metaphor of the LP record as a "canvas" has a far older vintage than the recent trend for s...
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Kylie Minogue
Crave
Loraine James
CHAI
Anjimile
Setting 
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