A Quietus Interview:
Annie
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Draining The Pool For You: Elmgreen & Dragset
Whisky? A free nip of whisky? Wait. Run that past me again: a dram as part of an artwork? You’r...
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The Wow Factor: At The Re-Opened Site Gallery, Sheffield
Brown Street near Sheffield's railway station isn't, as previously thought, a public highway bu...
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Don't Think Twice, It's All Wrong: Bob Dylan, Sunday Painter
On New Bond Street, three smart shop assistants in belt tied aprons were handing out small squa...
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Tales Of Tales: The Illuminating Manuscripts Of Paula Rego
Paula Rego does not believe in making proper ‘Art.’ She says “if you are trying to be correct a...
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Demons And Dancing Dinosaurs: Perceiving And Creating With Susan Hiller
Susan Hiller, Channels, 2013, Video installation with sound, Dimensions variable © Susan Hiller ...
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Lord Of The Flies: Pierre Huyghe At The Serpentine
Pierre Huyghe: UUmwelt, Installation view, Serpentine Gallery, London, (3 October 2018 – 10 Febr...
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No Fishing Trip: The Photography Of Susana Sanromán
Susana Sanromán is a photographer from Galicia, Spain, based in London. At her first solo exhib...
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Catch Me If You Can: An Interview With Larry Achiampong
How do you make a circle out of squares? Artist Larry Achiampong poses this question to a handf...
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Against Ephemera: Charlotte Perriand, Oscar Niemeyer & Zanine Caldas
Oscar Niemeyer, Collage sans titre © Tom Shapiro Laffanour Galerie Downtown, Paris “I'm not att...
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The Altar Destiny: Parker Ito At Primary
From the outside, Primary is unassuming. It's in a residential area, you don't come straight of...
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