The Lead Review:
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Into The Voids: Traversing The Work Of Raymond Depardon
In spite of travelling around the globe, Raymond Depardon's principal concern is not real...
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A World In Ruins: An Interview With Rachel Maclean
It's What's Inside That Counts, Digital still - courtesy of the artist. Commissioned HOME, U...
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Be No Fool: Kehinde Wiley Goes In Search Of The Miraculous
Kehinde Wiley, Narrenschiff, 2017, Three-channel digital filmDuration: 16.40 minutesEdition ...
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Noddy Amongst The Valkyries: Martin Puryear At Parasol Unit
Martin Puryear’s work is richly but subtly allusive. His beautifully crafted sculptures d...
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Art Making Itself Useful: The Legacy Of Eric Ravilious
Eric Ravilious, Drift Boat, 1941, Museums Sheffield Eric Ravilious died in 1942 when the ...
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Cézanne With A Thousand Faces: Post-Impressionist Portraits
There have been no exhibitions devoted to Cézanne’s portrait paintings since 1910, four y...
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Stop, Look, And Listen: Soundtracks At SFMOMA
Céleste Boursier-Mougenot, clinamenv.3, 2012–ongoing; porcelain, plywood, polyvinyl chloride...
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Mathematical Socialism: Tim Otto Roth Lights Up Hanoi
From the humid bustle of a still-hot autumnal Hanoi, entering the Goethe-Institut in the ...
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The Subtle Realm: Philip Mount On Raw Essence
All images courtesy Philip Mount A few years ago I presented my latest artwork to Robert ...
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"A Last Glimpse Of The Land": On Melancholia – A Sebald Variation
“The population decided – out of sheer panic at first – to carry on as if nothing had hap...
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Tyler, The Creator
Earth
The London Sound Survey / Iain Chambers / Robert Worby
Laurence Pike
Helm
Stereolab
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