A Quietus Interview:
Annie
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Once Upon A Time In America: The Violence Of Cady Noland
Cady Noland, Tower of Terror (back), 1993/1994, Glenstone Museum, Potomac, Maryland (US) Install...
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Marshmallow World: Henry Hudson At Hannah Barry
nothing sticks to nothing, 2018 – 2019, 135 Scagliola floor tiles (detail) Dimensions variable. ...
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A Chance To Cut: Ed Atkins Curates Stan Brakhage, David Kamp
The Act of Seeing With One’s Own Eyes is a project curated by the British artist Ed Atkins that...
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The Poetics Of Space: Ana Santos & Carlos Bunga At MAAT, Lisbon
Ana Santos does not strictly define her work as sculpture. She sees it more as a process of obj...
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Cloud Sculptors: An Interview With Frederik Nystrup-Larsen
Frederik Nystrup-Larsen is a young artist based between Copenhagen and London. Listed in the Ne...
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Location, Location, Location: Mark Fell At Focal Point Gallery
You Are Here. But where exactly? At the heart of Mark Fell’s present show at Southend’s Focal P...
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Strange Stars: Nwando Ebizie's Distorted Constellations
Credit: Sarah Hickson “This is the beginning of DISTORTED CONSTELLATIONS … a ritualised journey...
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Methods Of Dreaming: Grace Wales Bonner
Rashid Johnson, Untitled (daybed 1) 2012, Grace Wales Bonner: A Time for New Dreams. (Installati...
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Bread Head: Martin Creed’s Toast At Hauser & Wirth
Martin Creed is an artist I’ve often found amusing. Who can forget such timeless classics as Wo...
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Sol-Re-Sol: Emma Smith's All-Singing ConLang
Credit: Emma Smith, 5Hz (2018) PHOTO: Reece Straw Emma Smith's 5hz was an exhibition that was i...
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Divide And Dissolve
Francisco Mela
HHY & The Kampala Unit
(G)I-DLE
Shame
Haroon Mirza / Jack Jelfs
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