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Psychic Automatism In Its Pure State: Magritte, 1927–1930
Les amants, 1928, Oil on canvas Photo: Damien Griffiths, Courtesy of Galerie Haas AG, Zürich. © ...
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The Noise In-Between: An Interview With Ivan Seal
Ivan Seal, adultery bi prenontspliver, 2015 Memory. It’s a funny old thing. And for Berlin-bas...
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Suburban Gothic: An Interview With Eric Fischl
Eric Fischl, Worry, 2017, oil on linen, 78 x 90 in. (198.1 x 228.6 cm.), © Eric Fischl. Courtesy...
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Noise As Abstraction: Fuzzing The Limits Of Free Speech In Thailand
Portrait courtesy General View Records 場．景．設．定 On the third day of Pisitakun Kuantalaeng’s sho...
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The Opposite Of Words: Albert Oehlen On Pop, Posters, And Process
Albert Oehlen, Uurhyolth II-13, 2001, inkjet and mixed media on canvas, 220 x 340 cm / 86 5⁄8 x ...
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A Wish For Invisibility: The Chance And Ephemera Of Henri Michaux
Henri Michaux, Untitled, 1963 India ink on paper 322 x 417 mm Private collection © Archives H...
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A Current Under Sea: Margate Journeys With The Waste Land
The Shore, 1923 (oil on canvas), Nash, Paul (1889-1946) / Leeds Museums and Galleries (Leeds Art...
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Loop > See Loop: Eddie Peake And Kool London At The White Cube
Eddie Peake'Concrete Pitch'White Cube Bermondsey, London, 7 February - 8 April 2018 © Eddie Peak...
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Artist Run: Living Rooms And Parked Cars At The Other Places Art Fair
gallery1993 at Other Places art fair “I had this vision of seven ladies listening to rap music ...
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Circles Within Circles: Haroon Mirza, Curator
We stared at the Moon from the centre of the Sun, photograph by Alison Bettles, 2018 The world ...
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