Baker's Dozen:
Shirley Collins
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Outside Looking In: Window Galleries In The Era Of Social Distancing
A few weeks back, right in the heart of lockdown, I was wandering round some half-familiar stre...
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Welcome Unhome: Cao Fei’s Uncanny Attractions
Cao Fei, Blueprints (Installation view, Serpentine Gallery, 4 March – 17 May 2020) Photo credit:...
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Anne Tallentire: An Artist in Time
All photos by Ollie Harrop What was the starting point for this book? How did the project come ...
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Great Lengths: Nick Relph At Herald Street
Later on, I would wonder if perhaps it were some elaborately staged work of performance art, so...
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Mountain View With Poo Emoji: Hell Gette's Landscape 3.0
The painting depicts a landscape on a stormy day. Mountains like jagged incisors. A line of tre...
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A Spontaneous Desire To Make Stuff: Keith Haring On The BBC
When Keith Haring arrived in New York in 1978, he was just a twenty year-old kid from Kurtztown...
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Leaves Left: Works On Paper, Online At Cob Gallery
Rafaela De Ascanio (2019) 26 Weeks, I, II, III Despite the slow thaw of lockdown measures in th...
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Away With The Fairies: A Conversation With Mark Leckey
All images: Mark Leckey, Dream English Kid, 1964 - 1999 AD, 2015, 4:3 film, 5.1 surround sound, ...
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Bristol’s Innovative Sculpture: Plinth, Statue, Water, & Space
Bristol’s latest contribution to the art world has been an instant smash hit. Images of the Col...
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An Exactly Drawn Dawn: How Factory Revolutionised Record Design
1978: year zero for Factory, and Britain was still in the dark ages, at least as far as design ...
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