Illuminating treasured cultural artefacts
Trudging through the inverted worlds of Staten Island, Putney and Prestwich come a crew of rappers, a poet/ engraver and a dyspetic singer, says Tom Ellen. They steel themselves against the disappointment of the surface world - the feeling of 'Is this it?' - by doodling on the maps of their cities, adding monsters and demons, gods and angels, hidden passageways and secret portals.
Slint’s Spiderland is regularly cited as one of the most important albums of the last 30 years, yet its shadowy twin The For Carnation remains defiantly under the radar. Joe Banks makes the case for its re-evaluation while pondering the evolution of post-rock
It doesn't matter how much you love his solo work, Roxy Music were twice the band after Brian Eno left the fold, says Jeremy Allen in the latest instalment of our lockdown essay series. All photographs from Roxy Music Archive
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the second instalment Joel McIver grasps the mother of all nettles: who wrote the greatest thrash metal album - which essentially means who wrote the greatest heavy metal album - Metallica or Slayer?
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale