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Troubled by facts that felt like fiction, Anna Doble feared Patrick Keiller's 1994 film might all be an in-joke. But, as she writes in this month's Low Culture Essay, it created a magic-real place that she would later explore through song.
Ray Aggs speaks to Zara Hedderman about the music created during their Samarbeta residency earlier this year, exploring their relationship with folk music as a person of colour, and released exclusively to tQ subscribers today. Plus, exclusive footage documenting its process, courtesy of Low Four
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
It's back nearly a quarter century in this month's antidote to the algorithm as Luke Turner revisits the heady Monday nights at Trash, where the arch and exotic rhythms and deadpan chat of electroclash soundtracked cheap booze and rent of early 21st century London
In this month’s podcast, Luke Turner and John Doran sing the praises of this collection of songs both original and covers, from Grace Jones’ artistic imperial phase, recorded at Nassau's Compass Point Studios in the early 1980s
Here's everything we've covered at The Quietus this month, compiled for the listening pleasure of tQ's subscribers
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
Steve Stapleton has been helming the surreal and riotous psychedelic industrial experimental unit NWW for 45 years now. John Doran and Russell Cuzner look at their new release available to only tQ subscribers today and examine what makes them special
Thee Alcoholics' Rhys Llewellyn speaks to Julian Marszalek about their eviscerating new live-in-the-studio session now available for Quietus subscribers, and out on vinyl in November
J.R. Moores speaks to Mark Pilkington and DORANBOT-3000 (in place of our own John Doran) of Hitiloma about this month's tQ subscribers release – a collaboration with the mighty Nat Sharp recorded live at this year's Acid Horse
We've done something a little different this month and asked William Doyle to accompany his fantastic stripped-down release of three of his own songs and three covers with an essay about how he makes touring work financially – this is free to read to non subscribers too.
Steve Stapleton has been helming the surreal and riotous psychedelic industrial experimental unit NWW for 45 years now. John Doran and Russell Cuzner look at their new release available to only tQ subscribers today and examine what makes them special
We've done something a little different this month and asked William Doyle to accompany his fantastic stripped-down release of three of his own songs and three covers with an essay about how he makes touring work financially – this is free to read to non subscribers too.
This month, Quietus readers and subscribers decide which Fall album Luke Turner and John Doran should discuss – tune in below or via your podcast feed
We love it when our subscribers send in suggestions of things for us to talk about – but do we love what they’re suggesting? Is Eurythmics’ soundtrack to the 1984 film 1984 doubleplusgood or does it send John Doran into his own personal Room 101? Find out here.
We love it when our subscribers send in suggestions of things for us to talk about – but do we love what they’re suggesting? Is Eurythmics’ soundtrack to the 1984 film 1984 doubleplusgood or does it send John Doran into his own personal Room 101? Find out here.
In this month’s antidote to the algorithm, Mat Colegate goes deep into the bloody realm of Italian schlock scores – Goblin! Libra! Daniele Pattuchi! The soundtrack to that film about PCP maddened animals attacking Frankfurt!
In the latest antidote to the algorithm that is the Organic Intelligence newsletter, Miranda Remington guides you through the hectic sounds of Tokyo's wildly diverse and noisy underground
In this month’s antidote to the algorithm, Mat Colegate goes deep into the bloody realm of Italian schlock scores – Goblin! Libra! Daniele Pattuchi! The soundtrack to that film about PCP maddened animals attacking Frankfurt!