Our favourite LP of the moment
Born out of the febrile Basque Country experimental music community and infused with the weirdness of the early 00s New York noise scene, the former solo project of Bilbao’s Alvaro Matilla (now joined by Marta Sainz, Enrique Zaccagnini, and multi-instrumentalist, serial collaborator Mattin) sounds wild and untamed and bursting with possibility
A long-term fixture on Beirut’s underground experimental music scene, the latest from Sary Moussa is caught between the political and the personal, the whisper close and wide-open space. Wind, Again is an album whose contradictions make it all the more compelling, finds Kirsteen McNish
Slovenian Martial Industrialists embark on what may be their most intrepid gambit yet – will they succeed? On the evidence of their latest album, it has at least pushed them towards some of their most adventurous and experimental music yet, finds Jeremy Allen
A new boxset from England's notorious "wreckers of civlization" gathers together live recordings and unreleased studio material from the time of their brief mid-00s reunion. Dale Cornish finds the group as wonderfully indigestible as ever
Jeremy Allen normally gets annoyed at people leaving notes telling him what to do. But in the case of Savages and Yeah Yeah Yeahs instructing their audiences not to wave their cameraphones around like bellends, he can get behind the cause... even if it is doomed
US composer and voice artist Joan La Barbara has pioneered experimental multiphonics, circular singing, ululation and glottal clicks over the past five decades. Ahead of her performance at LCMF this weekend, she spoke to Louise Gray about infanticide, vocal fry and moving beyond the mask.