Essays, investigation and opinion on today’s cultural landscape
Thirty years on from the anniversary of the fall of the Berlin Wall, Beate Peter remembers a childhood where music was an escape from the strictures of Communism and punk gigs in churches were subversive acts and asks, what needs to happen to complete the process of reunification? Photo of Di Toten Hosen at a church gig by Mark Reeder
Coming just a year after Mark E Smith's death, Cherry Red's wonderful reissue of Hex Enduction Hour and Paul Hanley's engrossing book, Have A Bleedin Guess, forced John Doran to reassess the most notorious lyric in The Fall's four decade long career
Underground veterans 65daysofstatic are back with a new album diving deep into the state we're now in. Here, Paul Wolinski makes the case for staying inspired and creative under the impecunious trials of late capitalism
The boomers celebrated Sgt. Pepper's as the greatest Beatles LP; the Britpoppers backed Revolver; but it seems like millennials are more smitten with Abbey Road. The changing consensus probably says more about generational shift than it does about the Fab Four, according to Michael Hann
Reflecting on the death of Daniel Johnston and the spat between Lana Del Rey and the critic Ann Powers, Jazz Monroe explores how fandom can't hinge on the artist’s intention, and that artists don't need to 'earn' profundity - listeners have the power to give it.
We're living in fragmented times in which small communities and the places they meet are increasingly vital, even as they're threatened. Emma Warren argues that documenting these spaces (as she did in the excellent Make Some Space book about Total Refreshment Centre) can be a radical act. Photo by William Autmans
As two major exhibitions in Norwich explore the life and work of WG Sebald, Adam Scovell looks at his writing and photographs and uncovers fears at the circular nature of history that chime with contemporary anxieties. Photographs courtesy of Norwich Castle Museum. Colour portrait of Sebald by Basso Cannarsa.
This week, one day of Stockhausen's week-long opera Licht comes to London's Southbank Centre. Bobby Barry explores the history and significance of one of the greatest and most outlandish musical spectacles the world has ever seen. Photos by Meng Phu
Red Bull have announced the end of their well-loved music platform RBMA, after over 20 years of operation. Ed Gillett looks at how this decision fits into a wider pattern of narrowing, frailty and loss across digital music communities.
The release of a new version of Górecki’s Symphony No. 3 with vocals from Portishead’s Beth Gibbons is cleverly timed, says Phil Hebblethwaite. When the piece was first a hit in the early-90s, it offered respite at a similarly turbulent moment in history
Hundreds of musicians, curators, academics and more, from Brian Eno to Nitin Sawhney, Shirley Collins to Stewart Lee and Roisin Murphy, sign an open letter to the BBC about their disastrous cuts to their scheduling
Last week the BBC announced swingeing cuts to its leftfield programming on Radio 3, with Late Junction, Jazz Now and Music Planet hit. Richard Foster argues this is a short-sighted decision with far-reaching consequences
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
Last year marked the 50th anniversary of Witchfinder General. But in a world still characterised by corruption and violence, did we learn nothing from its warnings? Sean McGeady traces the film’s musical legacy and asks what keeps us coming back to it.
Late last week, veteran noise act Skullflower were dropped from the line up of Raw Power festival - yet for most of their lengthy career they have been considered apolitical. Here Dylan Miller considers the jigsaw of evidence against Matthew Bower and asks, 'What changed?'