Essays, investigation and opinion on today’s cultural landscape
With the release of cynical new novel Lionel Asbo: State Of England, argues Alex Niven, Martin Amis continues the patronising run of form that helped install the pernicious and cliché-ridden notion of 'Cool Britannia' and ultimately Boris and Dave's Big Society
Hollande's victory for the French Socialist Party in the weekend's Presidential Elections provoked outpourings of emotion and solidarity of the sort rarely seen in the UK, says Joe Kennedy. Photograph thanks to Valerio Berdini
Ken Russell's 1971 landmark The Devils is finally out on DVD today. To celebrate, Anthony Nield reassesses the popular perception of its star Oliver Reed, arguing that we should remember the actor rather than the alcoholic. Behind the scenes production shot courtesy of Warner Bros.
As concern grows over what the corporate internet's flattening of time might be doing to our minds, a host of modern artists are using its own devices to resist the onslaught, slowing music and art and allowing time for its meaning to sink in. Ryan Diduck examines the significance of these 'com-lagged' works of art
Burial released his new EP, Kindred, though Hyperdub this week. In a piece that began as a simple review before spiraling out of control, Rory Gibb asks why he, out of all his contemporaries, has struck such a nerve with such a wide audience
For decades, the music from one small village in Morocco has rung out internationally. But a long-running dispute between two separate factions of the Master Musicians of Jajouka/Joujouka has threatened to overshadow the success of both. Richie Troughton explores the legacy of the two groups and their current projects
In the game of folly versus lolly David Lynch's version of the Frank Herbert science fiction novel Dune played and lost. Now revived as part of a BFI Southbank retrospective on the director, it is often regarded as a patchy, incomprehensible failure. Andrew Stimpson challenges this consensus