10 reccomended entry points into an artist’s back catalogue
Chris Watson is the Sibelius of the tape recorder. Ahead of his appearance with Felicia Atkinson at Kings Place next month, Luke Turner speaks to him about twelve key points in his career from early tape experiments to recording at Chernobyl, via a founding stint in Cabaret Voltaire
Jeremy Allen talks to the Einstürzende Neubauten mainstay about early forays into electronic and industrial as well as drunken country and western plus an album inspired by the joys of Blackpool. All photographs courtesy Alexander Hacke
Miranda Remington gives us ten points of entry into the bewildering back catalogue of 'The Man From The East', Stomu Yamash'ta, a Japanese percussion prodigy who weaved together the classical with the underground; science fiction with Buddhism
Ahead of his appearance at the Barbican, backed by the National Youth Jazz Orchestra, on May 5, Sean Kitching suggests ten points of entry into the back catalogue of the 85-year-old Brazilian composer, multi-instrumentalist and producer known as ‘O Bruxo’ (the Sorcerer)
We're really made up that one of our favourite sonic entities, Shit And Shine, has recorded an epic Singularity track for our Sound & Vision subscribers. Here JR Moores talks to Craig Clouse in order to offer a ten track guide to his epic S&S back catalogue
Kevin Mccaighy takes a close look at one of the most important American independent rock labels of the 80s and 90s, finding ten points of entry into a bewilderingly large back catalogue, in the shape of gems from Unsane, Today Is The Day, Cows and Mudhoney
With their first new album in 16 years arriving this Friday, now is the perfect time to investigate Arab Strap and why they are one of the UK’s most beloved underground bands. They take Rob Hakimian through their discography, from regular weekends ‘on a permo’, to reckoning with the green-eyed monster, to their recent rejuvenation
Henry Rollins is 60 on Saturday. Given how he has dedicated himself to becoming hardcore punk's most prominent renaissance man, it's become easier to forget about the music that made him. Andrew Holter chooses ten points of entry to his large and forbidding back catalogue
Neil Kulkarni breaks his no-festival rule and braves the corporate overkill of Wireless to see his Pulp. His verdict? They "now stand mighty amidst the dwarfed mediocrity of modern indie" and, crucially, they're a band we need so much, right now. Photograph by Hayley Hatton
When once he would cane it like there was no tomorrow, Jason Williamson now prefers to bake banana bread in the kitchen and lift weights in his garden. Here, the Sleaford Mods man runs JR Moores through the kind of baking advice you don't get from Mary Berry