Definitive conversations with our favourite artists
Cellist Julia Kent uses the instrument to evoke complex interplays of emotions that touch both on inner experience and the rhythms of the physical world. With latest album Character out now, she speaks with Russell Cuzner about collisions of ancient and modern technology
Fist City's joyous punk rock mêlée delivers a double knockout blow, blending wild immediacy with subtle lyrical depth. Tom Hannan catches up with singer Kier Griffiths to discuss how both personal and political issues are intertwined in their new album
Stara Rzeka's debut album, a thrilling blend of black metal, krautrock and drone, has made it one of the Quietus' favourites of 2013 so far. In advance of his debut UK performance at Unsound London, Joseph Burnett catches up with him to discuss humanity and its connection to nature
Ahead of their concert in the charming surroundings of Hampstead Heath on Friday, August 23, Suede's Mat Osman gives us a run-down of the music that's been exciting him lately. Quietus Ed Luke Turner would like to talk this opportunity to thank Suede for booking British Sea Power to support them at said gig. Cheers!
Jessy Lanza is the mind and voice behind the sensuous and haunting R&B and electronic pop of Pull My Hair Back, released through Hyperdub next month. She speaks with Petra Davis about accidental vocal science and how her songs are like self-assembled collages
From sampling a tank rolling over a Nigella Lawson dinner to creating an album detailing the life of a pig from birth to plate (2011’s One Pig), Matthew Herbert has long been one of Britain’s most remarkable musicians. Here he talks to Ben Cardew
London's clown princes of synapse-shredding noise rock and psychedelia Terminal Cheesecake have just reunited with help from Gnod, and are preparing to lay waste to Supernormal Festival. Jimmy Martin caught up with the band's members to talk onstage drug experiences and their strange and addled history
Norwegian jazz/metal firebrands Shining recently released their latest album, One One One. Dayal Patterson catches up with band leader Jørgen Munkeby to discuss the spiritual connections between jazz and metal, and being led by the heart rather than the head
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
Dublin's Girl Band tore through Quietus HQ earlier this year with their unhinged and brilliant cover of Blawan's 'Why They Hide Their Bodies Under My Garage'. Paul Tucker met them to discuss the quirks of self-recording and why they're infuriated by Nirvana comparisons
On their newly released debut album Carlisle's neo-psych trainwreckers The Lucid Dream inject their music with equal parts pop-suss and blistering noise. The band's Mark Emmerson speaks with Ben Graham about avoiding psychedelia's stereotypical trappings and working in isolation
With his recent DRKLNG mixtape, New York rapper Zebra Katz followed up last year's freakily infectious 'Ima Read' in similarly sinister, sub-loaded style. Laura Snoad met up with him to discuss investigations of language and the eternal appeal of bass
Self-described 'kraut violence' crew Wolfbait stormed the Quietus office earlier this year with their self-titled debut album, which hit with all the unstoppable momentum of a wrecking ball. We assigned Toby Cook to find out more about this mysterious gang of demolition artistes
Grumbling Fur's Glynnaestra, released next week, is one of the Quietus' favourite albums we've heard for quite some time. Ahead of its release next week, the duo tell Luke Turner how the complexity of nature, Blade Runner and a UFO sighting came together to inspire the record
Robert Hood's new album under the Floorplan alias sees the minimal techno pioneer infuse his sound with gospel, disco and funk, all the while retaining his customary astonishing, hypnotic precision. He speaks with Harry Sword about growing up in '70s Detroit, the importance of intent, and how his strong Christian faith informs his attitude towards club music