Definitive conversations with our favourite artists
Ahead of his appearance at Unsound Adelaide, German dance music producer Erik Wiegand talks about pulling song titles from articles on dating sites, sculpting hyperbolic sounds and his first new solo album in 13 years, Superlative Fatigue
On the launch of their third LP, the ironically titled Jolly New Songs, Brendan Telford speaks to Polish avant-punks Trupa Trupa’s Grzegorz Kwiatkowski about forsaking democracy for collective creativity, dark histories and the disconcertion of happenstance
They may be better known these days for in-fighting and taking each other to court, but most of the surviving members of the Wu-Tang Clan have reunited for a better-than-you-might-expect LP. Interview by Angus Batey
Ahead of an appearance at Portugal's Semibreve Festival later this month, as well as the release of an upcoming mini-album, Christian Eede speaks to Visible Cloaks' Spencer Doran about fourth world concepts in music and the influence of Japanese ambient and Italian minimalism
With his third record for Nic Tasker's Whities imprint just released, Angus Finlayson, otherwise known as Minor Science, speaks to John Thorp about reconciling his role as a music journalist at Resident Advisor with his work as a producer and DJ
Jeremy Allen interviews Carla Bruni in Paris about her new album French Touch, but politics is strictly interdict. “I wish good luck to Mr and Mrs Trump, I wish good luck to Mr and Mrs Macron, and I don’t care, do you understand?”
After becoming a target of online trolls from the alt-right's most lunatic fringes, the prolific master of noise and free jazz, Arrington de Dionyso, discusses his response: his visceral, confrontational new project, This Saxophone Kills Fascists
Ipek Gorgun's solo works are like choreographed chemical reactions on a micro scale or a terraforming planet on a macro scale. Here she reveals how silence, ontology and the physicality of sound influence her rich fusions of ambient and noise. Portrait by Nazli Erdemirel