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Definitive conversations with our favourite artists
Former Cocteau Twins bassist, founder of Bella Union and now half of Lost Horizons, Simon Raymonde, plays Sea Change festival this weekend. Lottie Brazier talks to him about Triptych, his new film with BAFTA-winning director Kieran Evans - which has its premiere today on the Quietus
Ahead of his appearance at Pop-Kultur this weekend, Ghostpoet talks to Adam Quarshie about swapping the capital for small-town life, the anxieties of the internet age and mental health in the music industry. Ghostpoet portraits by Steve Gullick
Getting Nine Inch Nails’ signal to cut through the insane noise of the digital marketplace has been 1% inspiration and 99% immolation, says Trent Reznor to John Doran. But does latest album Bad Witch mark the start of a new phase in their career?
After three decades of work in the margins of UK psych rock and folk, Jane Weaver has risen steadily in prominence over the last four years. Here she explains to Joshua French, why she is setting aside her tried and tested means of touring with a live band for a series of solo Loops In The Secret Society shows this Autumn. With mixtape...
Several dates into Mishka Shubaly's latest gruelling solo tour (the last stop of which is titled "Die of fatigue and return home in a body bag") the musician and writer speaks to Jamie Ryder about his new album, the experience of getting clean, and missing out on extreme fame by a hair's breadth
Ahead of her concert at Pop Kultur in Berlin this summer, the esteemed journalist and author talks to David Chiu about her recording career during the late 1970s and early 1980s that included working with The Flying Lizards, John Lydon and Robert Wyatt
Ahead of their appearance at Roskilde Festival next week, Lola Hammerich, the guitarist and singer of Copenhagen trio Baby In Vain, speaks to Jamie Walker about writing death into music, almost losing fingertips, and why London is a dangerous place to be a touring musician
Ahead of an appearance at Wysing Arts Centre's annual day festival in September, Discwoman's DJ Haram speaks to Kristen Gallerneaux and Bernie Brooks about the scene in her base of Philadelphia and linking up with Moor Mother and the Discwoman collective
Ahead of this weekend’s debut performance of Pastoral at Supersonic Festival in Birmingham, Elizabeth Bernholz aka Gazelle Twin talks to John Doran about a vibrant psychic vision of English fascism and the devastating energy of motherhood
Just before premiering their brand new video for single ‘Synchronicity’ here and heading out to play some UK festival dates, Free Love, the girlfriend/ boyfriend synthpop duo of Lewis Cook and Suzi Rodden, FKA Happy Meals, lounged on the grass in a Glasgow park with Claire Sawers and talked clean buzzes, future utopias and why it was time for a new name
In 2012, Jamie Roberts, AKA Blawan, was poised on the verge of breaking through to a mainstream that he wasn't sure he wanted any part of and then fate intervened in the form of a life-threatening illness. On the release of his debut album Wet Will Always Dry, he talks to John Doran about how this ended up being a blessing in disguise
21-year-old Joe Powers is exploring instrumental grime as Proc Fiskal some 400 miles from its London base all the way up in Edinburgh. Ahead of the release of his debut album, he speaks to Christian Eede about sampling, the rhythms of RP Boo and his aversion to nostalgia in music
Saxophonist, bandleader and best jazz newcomer (officially!), Nubya Garcia is a powerful and precious force on the thriving London jazz scene. Ahead of her set at Field Day, she talks about bebop discipline, dealing with microaggressions, and how to feel the fear and play it anyway
The death of Stewart Lupton, former singer with New York pioneers Jonathan Fire*Eater, was announced earlier today. In this archive interview, first published in The Stool Pigeon in 2007, Phil Hebblethwaite discussed his comeback project Childballads, rivalry with The Walkmen, and his battle with drugs. Portrait by Phil Knott
Robert Barry sits down with the no wave guitarist turned electric guitar ensemble composer, who holds court on phantom choirs, free improvisation, the emergence of no wave and Brian Eno (this archive feature was republished on 14th May 2018 on the news of Glenn Branca's death)
Rose Kallal straddles the art and music world, says Russell Cuzner. With a performance praxis that revolves around arcane video loops, and an album of dystopic synth soundtracks recently put out on Paul Purgas of Emptyset’s We Can Elude Control label, we sat down with her to discuss how technology, astrology and the elements are the hidden forces behind her mesmeric multimedia work
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