Definitive conversations with our favourite artists
tQ’s official Mclusky correspondent, JR Moores, catches up with Andrew Falkous for a freewheeling chat covering pesto, Genghis Khan, tinnitus and the revived rock trio's first album in over two decades. Plus, the band share the new video for brand new track 'Chekov's Guns'
In the first interview about his new album, the Lancashire producer Jack Bowes talks to Fergal Kinney about Preston grime, absent fathers, and why he’s exhausted with the discussion about class in British music. CW: Mentions suicidal ideation
Longplayer is a musical installation that will play for a millennia. Its composer Jem Finer speaks to Darran Anderson about how the differences between this challenge to our sense of human time is, perhaps unexpectedly, closely related to his work in The Pogues
Can you tell someone's life story in the album format? It was a question Mike Scott asked himself before making Life, Death And Dennis Hopper. Words: John Higgs. Cover portrait: Paul MacManus
Imperial Triumphant’s sixth album sharpens up their avant metal sound and polishes it to a burnished sheen. Cooking up a storm that mixes Stanley Kubrick, Art Deco and jazz, with a huge dollop of New York City, Dan Franklin speaks to Zachary Ezrin about how self-imposed restrictions expanded their modernist vision. All portraits by Shannon Void
You are unlikely to hear a more arresting and unique album this winter than Ghost / Spirit. Miloš Hroch talks to Jules Reidy about this statement fuelled by mysticism, ego death and the influence of shoegaze. Portraits by Camille Blake
With a reputation as bricks-and-mortar shorthand for Little England conservatism, you might be surprised to know that Tunbridge Wells has long had a thriving musical underground. Alexander Tucker speaks to scene stalwarts Joeyfat, currently being celebrated with a compilation and reissues on Wrong Speed Records
The Manics have abandoned the ideologies and cultural touchstones that once defined them, and approached their fifteenth record with "no MO," says James Dean Bradfield. He speaks to Patrick Clarke about how it's left him with a rare sense of freedom in a world where "reality resembles fiction"
Kristin Hersh offers Sean Kitching the exclusive first interview about Throwing Muses’ first new album in five years, her recording process, synaesthesia, the similarities between music and stand-up comedy, and turning difficult personal situations into art (not product) that celebrates the humanity of us all
As Lias Saoudi-fronted fruity techno troupe Decius prepare to release second album Vol. II (Splendour & Obedience), they speak to Luke Turner about dirt on the dancefloor and why their explicitly horny music is a safe space to unleash things that ought not be repressed
Andy Abbott speaks to Kat Lister his new album as ADRA, born from his work as a creative practitioner on psychiatric wards, how working with service users challenged preconceptions about who experimental music is 'for', and how it's changed his own creative philosophy moving forward
As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
Ahead of a show at this year’s Sensoria Festival in Sheffield Kirsten Norrie, aka MacGillivray, talks to John Doran about her elemental multi-disciplinary practice drawing together folklore, poetry, music and film making. Main portrait by Zanne Chaudhry
In summer 2023, death metallers Blood Incantation decamped to Berlin’s Hansa studios to record groundbreaking new album, Absolute Elsewhere. Isaac Faulk talks to Dan Franklin about how pushing at the boundaries of what a band can be and a near-disaster with an untied shoelace went into creating their most mind-expanding music yet
With a post punk pedigree that stretches back to the origins of 4AD, The Wolfgang Press have made their first album for nearly 30 years, and the only thing it has in common with its predecessors is that it sounds nothing like them, they tell Wesley Doyle
Gwen Siôn speaks to Jude Rogers about how her love of dubstep raves in tunnels became a creative practice of turning the slate of North West Wales into music, blending field recordings with choral song, and how landscape art is political
Ahead of sets at Unsound's Krakow and New York editions, and a long-awaited reissue of his recordings of John Coltrane and Langston Hughes compositions, Raphael Rogiński speaks to Jakub Knera about his love of the world, spirituality in music and Central and Eastern European identity in a time of flux