From the esoteric to the sonic, tQ’s bookshelf revealed
Visiting the two currently-running plays, Jessie Thompson considers critiques of Capitalism, Conservative ideologies and the self-serving class system in Alan Ayckbourn's A Small Family Business and Julian Mitchell's Another Country, finding them still dishearteningly relevant thirty years later
Speaking to the Leningrad-born poet at his home in Berlin, Eve Richens asks Eugene Ostashevsky about his current project - The Pirate Who Does Not Know the Value of Pi - his vast array of influences, from Shakespeare to Soviet linguistic propaganda, and the communicative abilities of animals
With 'riverrun', the newest in a long line of artistic adaptations of Joyce's famously-less-than-permeable novel, currently playing at the National Theatre Stephanie Boland considers the difficulties of adapting and interpreting Finnegans Wake and Olwen Fouéré's production
In an extract from his recently-released book, U.ESS.AY: Politics and Humanity in American Film, Stephen Lee Naish considers the relationship between our enduring love for apocalyptic cinema and humanity's innate, unstoppable drive toward destruction