Books
From the esoteric to the sonic, tQ’s bookshelf revealed
Books
Immigration As Erasal: On ‘Signs Preceding The End Of The World’
Pete Mitchell considers Yuri Herrera's Signs Preceding the End of the World — the author's only full-length work currently translated in to English — in the light and shadow of its macho, othering, counterparts in Anglophone border fiction, as well as its translated contemporaries, and the spectre of that last great imaginary line in the sand
Books
Human Voices: Carola Dibbell Interviewed
Eric Obenauf, publisher and editor at the excellent Two Dollar Radio, talks to rightly-celebrated rock critic, writer and — as of this month — novelist, Carola Dibbell about being an out "women's libber" in the male-dominated 70s music-writing scene, the potential for stream-crossing in music criticism and fiction and, of course, her debut novel The Only Ones. (Artwork by Greg Skrtic)
Books
Out Of Our Dwam: An Interview With Momus
Oscar Gaynor speaks to the authorial element of writer/musician Momus' multifariously-split artistic personality about his new free-to-download book, Herr F, the limits and possibilities of fog, arts culture post-Here Comes Everybody and the social functions of acting
Books
Short Fiction: Binary Star By Sarah Gerard
Extracted from the novel Binary Star, published earlier this year by Two Dollar Radio, Sarah Gerard's prose, both haunted and haunting, possesses a celestial quality seemingly drawn from the beauty of fluttering, astronomical luminescence and the terror of what feels a near-immeasurable vastness. In Binary Star personal reality becomes the vacuum and the horror of the metaphysical numinous abject. (Photograph by Josh Wool)
Books
An Interloper In The World: Confessions Of A Heretic Reviewed
Sophia Deboick considers the English-language version of Adam 'Nergal' Darski's autobiography, a work of more than just sensationalism for its own sake, via the Polish people's love for scrambled eggs, The Voice and polarising views on religion
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The Bright Labyrinth: Chance And Repetition
In a selection of excerpts from his recent Strange Attractor-published book, The Bright Labyrinth, Ken Hollings discusses - via John Cage and Edgard Varèse - mass production, organisation, repetition and the (perhaps only) advantage human beings have over machines. (Illustrations by Matthew Frame)
Books
Verfreundungseffekt: The Translator Is Present – Saskia Vogel Interviewed
This month’s column swings the focus to the unsung hero – the literary translator – but just as much on contemporary Swedish literature and inventive ways of publishing literature in translation. (Portrait of Saskia Vogel by Richard Phœnix)
Books
Peer Review: Ornate Resignation – Crispin Best Interviews Rebecca Perry
As part of our running Peer Review series, where authors are interviewed by their contemporaries, Crispin Best and Rebecca Perry sit down - at different computers in different locations - to talk about avocados, the key events of 1983 and the titles that could have been for her recently-released book of poems, Beauty/Beauty
Books
Poetry Column: Oversized Blazer — Sam Riviere On Audun Mortensen
In the first instalment of his new column on contemporary poetry (Poetry Column), Sam Riviere examines - via Sontag, Calvino and the convoluted nature of the 'I' - the work of Norwegian poet, artist and possible anti-Knausgård, Audun Mortensen. (Photograph by Václav Jedlička)
Books
A Tourist In One’s Own Country: An Interview With Simon Sylvester
Dale Lately speaks to novelist, poet, slam-winning hat-wearer and winner of the Guardian's Not The Booker Prize 2014, Simon Sylvester about nomadic existence, writing from and outside of experience and the history of storytelling
Books
The Record As Relational Artwork: An Interview With Jon Bywater
Elena Dolcini speaks to the editor of the first volume of the Social Life of The Record series — Everybody Knows This is Nowhere — the companion publication an exhibition exploring the relationship between art and music and geography, particularly focused on New Zealand identity about desperation, dislocation, Neil Young and the perils of immediacy
