From the esoteric to the sonic, tQ’s bookshelf revealed
Extracted from the novel Binary Star, published earlier this year by Two Dollar Radio, Sarah Gerard's prose, both haunted and haunting, possesses a celestial quality seemingly drawn from the beauty of fluttering, astronomical luminescence and the terror of what feels a near-immeasurable vastness. In Binary Star personal reality becomes the vacuum and the horror of the metaphysical numinous abject. (Photograph by Josh Wool)
Sophia Deboick considers the English-language version of Adam 'Nergal' Darski's autobiography, a work of more than just sensationalism for its own sake, via the Polish people's love for scrambled eggs, The Voice and polarising views on religion
In a selection of excerpts from his recent Strange Attractor-published book, The Bright Labyrinth, Ken Hollings discusses - via John Cage and Edgard Varèse - mass production, organisation, repetition and the (perhaps only) advantage human beings have over machines. (Illustrations by Matthew Frame)
This month’s column swings the focus to the unsung hero – the literary translator – but just as much on contemporary Swedish literature and inventive ways of publishing literature in translation. (Portrait of Saskia Vogel by Richard Phœnix)
As part of our running Peer Review series, where authors are interviewed by their contemporaries, Crispin Best and Rebecca Perry sit down - at different computers in different locations - to talk about avocados, the key events of 1983 and the titles that could have been for her recently-released book of poems, Beauty/Beauty
In the first instalment of his new column on contemporary poetry (Poetry Column), Sam Riviere examines - via Sontag, Calvino and the convoluted nature of the 'I' - the work of Norwegian poet, artist and possible anti-Knausgård, Audun Mortensen. (Photograph by Václav Jedlička)
Dale Lately speaks to novelist, poet, slam-winning hat-wearer and winner of the Guardian's Not The Booker Prize 2014, Simon Sylvester about nomadic existence, writing from and outside of experience and the history of storytelling
Elena Dolcini speaks to the editor of the first volume of the Social Life of The Record series — Everybody Knows This is Nowhere — the companion publication an exhibition exploring the relationship between art and music and geography, particularly focused on New Zealand identity about desperation, dislocation, Neil Young and the perils of immediacy
Ian Johnston sits down with James Ellroy, veteran and pioneer of contemporary crime fiction, non-fiction and the blurring of those lines — the Demon Dog of American literature — to talk about the glossed-over injustice of Japanese-American internment in World War II, expanding Los Angeles across an entire world and his new novel, Perfidia
In an extract from an essay taken from his co-authored collection with Lee Rourke, Trying to Fit a Number to a Name, Tim Burrows discusses the culturally (re)enforced and self-fulfilling stereotypes of the TOWIE Essex and the 'archetypal' UKIP-supporting Essex Man via Samuel Beckett, Wilko Johnson and Mike Leigh