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Visual culture in interviews, reviews and opinion
Back in 1982, Joseph Beuys proposed a radical plan to plant 7000 oak trees in the German city of Kassel. Nearly forty years later, British artist Ackroyd & Harvey (Heather Ackroyd and Dan Harvey) talk to Aida Amoako about planting new trees outside the Tate Modern with acorns gathered from Beuys' original project
*Hush – Berlin Club Culture in a Time of Silence* captures the people and places behind the German capital's famous nightlife in an era when no-one is going out dancing. Robert Barry speaks to the writer and photographer behind the book. The interview is followed by an exclusive extract from the book
While Robert Crumb’s style and dedication to his generation’s underground comix artists has inspired a huge array of artists from a variety of backgrounds and of numerous identities, for decades his depictions and framing of women and his adoption of racist stereotypes have been under fire
John Smith, the artist and film-maker whose landmark short The Girl Chewing Gum is amongst the jewels of the British avant-garde, has spent lockdown filming out of his bedroom window and downloading clips from YouTube. He talks to Nicholas Burman about his new films Citadel and Covid Messages
Photographer Eddie Otchere captured jungle and drum 'n' bass from the inside. On the eve of Velocity Press' publication of their oral history of the scene, Who Say Reload (which features Otchere's images extensively), Charlie Bird caught up with the photographer to discuss nights down the Blue Note, the hardcore continuum and why dancing is dangerous to conservativism
Tarek Atoui's Cycles in 11, currently on display at Bait Al Serkal is Sharjah, represents a decade of work, collaboration, and experimentation for the Lebanese sound artist. He talks to Cathy Wade about instruments, collaboration, and the crucial importance of real contact
With her exhibition A Countervailing Theory currently occupying the Barbican's Curve Gallery, Nigerian-American artist Toyin Ojih Odutola talks to Amah-Rose Abrams about colonial legacies, world building, and escaping the Eurocentric gaze
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