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Reissue of the Week: Orbital 2 (The Brown Album Expanded)

Pulp Share New Song, ‘Got To Have Love’

Le Guess Who? Reveals 2025 Guest Curators and First Acts

Grinderman to Reissue Albums on CD and Vinyl

Slikback Details Debut Album for Planet Mu, ‘Attrition’

Higher Frequencies: Instant Holograms on Metal Film by Stereolab

Four Tet Unveils New Album with Folk Artist William Tyler

The Strange World Of… Editions Mego

Skaņu Mežs Reveals First Acts Playing 2025 Edition

Suede Detail New Album, ‘Antidepressants’

The Chameleons’ What Does Anything Mean? Basically, at 40

Pedal Off The Metal: Backxwash Interviewed

Brockwell Park Festivals to Go Ahead Despite Court Ruling

Columnus Metallicus: Heavy Metal for May Reviewed by Kez Whelan

INTERVIEW: a Lesser Version on Liverpool’s New Outer Waves Festival

Last Few Acid Horse Weekend & Day Tickets Remaining

The Sound of Young Queer Scotland: An Interview with Carrie Marshall

Tectonic Details 20th Anniversary Compilation

Semibreve Reveals First Acts Playing 2025 Edition

Reissue of the Week: Shirley Collins’ Sweet England

The Quietus Spring Subscriber Sale is Here!

Next Level Electro-Shaabi: Rhlt Jdi by Elkotsh

The Countercultural Figures who Helped Give Birth to the Neo-Nazi Terrorist Networks of Today

The Ultimate Fuck You: McAlmont & Butler’s ‘Yes’ Revisited

Arca Releases New Double-Sided Single, ‘Puta / Sola’

Adrian Sherwood Unveils First New Solo Music in 13 Years

DJ Haram Details Debut Album for Hyperdub, ‘Beside Myself’

Cabaret Voltaire to Mark 50 Years of Live Shows with Special Sheffield Show

Hyperspecific: Electronic Music for May Reviewed by Jaša Bužinel

Andrew Weatherall’s Studio Gear Put Up for Auction

Suede Unveil New Song

Blue Note Given License to Open London Venue

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