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Nature Is Reeling: Adrian Utley On Arcadia Live

Big Joanie — Back Home

Helena Hauff Reveals New Four-Track EP, ‘Living With Ladybirds’

Warp Records Reveals ‘Artificial Intelligence’ Vinyl Repress

Some Velvet Mourning: Lynne Ramsay’s Morvern Callar At 20

SAULT Release Five New Albums As Free Downloads

ESSAY: ‘Shedding The False Self’ By Alya Al-Sultani

Columnus Metallicus: Heavy Metal For November Reviewed By Kez Whelan

Soft Crash — Your Last Everything

Pigs Pigs Pigs Pigs Pigs Pigs Pigs Detail New LP, ‘Land Of Sleeper’

AG.R97 Share New Single, ‘Vibora Serpentina’

tQ’s Exclusive Monthly Round-Up Playlist: October 2022

Clear Waters: An Interview With Aoife Nessa Frances

Northern Powerhouse: An Interview With Acid Klaus

Horse Lords — Comradely Objects

Searching for the Celtic Soul Rebels: Scottish Pop, 77–84

Lawrence Sells Books, Writes Us Tips: Mozart Estate Frontman Sells His Collection

Pulp Detail 2023 Run Of Comeback Shows

Our Own Traditions: Laura Cannell And Lori Goldston Interviewed

Reissue Of The Week: Celtic Frost’s Dance Macabre

Music Of The Month: The Best Albums And Tracks Of October 2022

Moin — Paste

Mogwai Reveal Reissues Of First Two Albums

Irish Ministers Agree To Extend Nightclub Opening Hours To 6am

Jam City’s ‘Classical Curves’ LP Set For Reissue

Long Weekend At Vinny’s: An Interview With Vinny Moonshine

Guðmundur Steinn Gunnarsson — Landvættirnar fjórar

Fiddlers On The Doof: Decius Vol.1

Maps Details New Album, ‘Counter Melodies’

Algiers Detail New Album, ‘SHOOK’

Coil’s ‘Queens Of The Circulating Library’ To Be Reissued

The Hydra Begins Autumn Events Series At London’s Printworks

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