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Warp Records To Release Two Collections Of Demos By Broadcast
Low Culture Essay: Jimmy Martin On Ministry’s With Sympathy
Written On Skin: Julia Holter’s Something in the Room She Moves
Perc — The Cut Off
Iceboy Violet Teams Up With Nueen For New Hyperdub LP
Shellac Unveil First Album In 10 Years, ‘To All Trains’
Lanark Artefax Reveals New EP, ‘Metallur’
Drumroll Please: Jim White’s Baker’s Dozen
Jlin — Akoma
What Does Dying Sound Like? Music And The Near Death Experience
John Grant Returns With New Album, ‘The Art Of The Lie’
Steve Davis Launches Label Rack Records
Obey Cobra Detail New Album, ‘Mwg Drwg’
Columnfortably Numb: Psych Rock For March Reviewed By JR Moores
Alice Coltrane — The Carnegie Hall Concert
It’s Just Metal And Wood: An Interview With Still House Plants
Four Tet — Three
Just Another IDM LP? Squarepusher’s Dostrotime, Continuity & Modernism
Brian Eno Shares New Song, ‘All I Remember’
Nick Cave & The Bad Seeds Unveil ‘Wild God’ Tour Dates
Organic Intelligence XXX: The Baader Meinhof Bum Dungeon
Soma — Burning is Learning
Reissue Of The Week: Electribe 101’s Electribal Memories
Laibach Detail ‘Opus Dei’ Reissue
Nout — Live Album
Building Back Better: New Monuments By Amirtha Kidambi’s Elder Ones
Animal Collective Reveal ‘Merriweather Post Pavilion’ Reissue
Pavement Unveil Singles Box Set, ‘Cautionary Tales: Jukebox Classiques’
Artists Pull Out Of SXSW In Protest Of US Army Sponsorship
Ganavya — Like the sky I’ve been too quiet
The Strange World Of… U.S. Maple
Rewire Completes 2024 Festival Lineup
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Previously Read
Black Sky Thinking
Imma Be The Upgraded New Negro: The Politics of Black Eyed Peas So-Called Party Bangers
Black Eyed Peas have been praised for a supposed return to their "political roots" away from the "party bangers" of now-ten-year-old The E.N.D. But, argues Aida Amoako, the group have always had a politicised Afrofuturism at the heart of what they do.
