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Anna von Hausswolff — The Miraculous
First Names For CTM 2016
Snoop Dogg Launches Own Weed Range
FESTIVAL REPORT: Elevate 2015
More Names For Manana
LISTEN: Immersion Are Back
Psychedelic Meditation: Kurt Vile’s Favourite Albums
10 Years Of Field Day: 2008
Hans Joachim Roedelius & Leon Muraglia — Ubi Bene
RIP Allen Toussaint
Born To Do This: Allen Toussaint Interviewed
First Names Announced For Bloc 2016
London Council Rejects Artists’ Studio Plans
LISTEN: New Music From Enya
Bowie Rejected Plans For Musical Film
Spool’s Out: Tape Reviews For November By Tristan Bath
Keith Rowe/John Tilbury — Enough Still Not To Know
LISTEN: New Daniel Avery
Precious Sounds Uncut: An Interview With Hilde Marie Holsen
Prince Looks Set To Tour Solo Piano Show
Independent Label Week Kicks Off
LISTEN: Dragged Into Sunlight + Gnaw Their Tongues Album
Things Learned At: Pitchfork Paris
10 Years Of Field Day: 2007
Björk Calls For Conservation Action
PREVIEW: London Jazz Festival
Daylight Come: An Interview With Teeth Of The Sea
Artists Arranging Things Themselves: The Digressionary Subject
GHAOS Reigns: The Total Institutions of Reactor
Some Might Slay: Kill Your Friends Reviewed
The Lead Review: Mike Diver On Teeth Of The Sea’s Highly Deadly Black Tarantula
Wolf Eyes — I Am A Problem: Mind In Pieces
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A Quietus Interview
You Hum It, I’ll Play It: James Ellis Ford Interviewed
After building a home studio the SMD musician and Arctic Monkeys and Depeche Mode producer James Ford picked up no less than 18 instruments – and a microphone – in order to make his beguiling debut LP. Words by Jeremy Allen. All portraits by Pip Bourdillon
