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James Holden — Imagine This Is A High Dimensional Space Of All Possibilities
Reissue Of The Week: Moss Icon’s Lyburnum Wits End Liberation Fly
Arab Strap To Play 1998 LP ‘Philophobia’ In Full On Upcoming Tour
Mother-in-DAW: Fawn/Brute By Katie Gately
Aksak Maboul — Une Aventure de VV (Songspiel)
Magical Cuts: Anthony ‘Surgeon’ Child’s Favourite Music
Jessy Lanza Unveils New Single, ‘Don’t Leave Me Now’
Laurent Garnier Unveils First Solo Album Since 2015
Function Relaunches Infrastructure New York Label With New EP
Debby Friday — Good Luck
The Breath Of Life: Colin Stetson Interviewed
Angel Bat Dawid — Requiem For Jazz
New Weird Britain In Review For March By Noel Gardner
Drew McDowall Details New CD Box Set, ‘Lamina’
New Compilation Collects Rare ’90s UK Electronic Music
Anika Releases New Charity Single, ‘No Fly Zone’
Inbetween Worlds: Devon Rexi Interviewed
Green Issues: Music, Cannabis And You
Dawn Ray’d — To Know The Light
Curious Digressions: The Sensuous Sci-Fi Of Apparatus 22
Furious Since Birth: Grime, A Novel By Sibylle Berg
Optimo Music To Release Compilation Of Anarcho-Punk
Marta Salogni Reveals Collaborative LP With Tom Relleen
Shit And Shine Detail New Album, ‘2222 And Airport’
Depeche Mode — Memento Mori
Nick Cave Reveals North America Solo Tour
Ricardo Villalobos Releases Pair Of Remixes For Ela Minus & DJ Python
James Holden Shares New Track, ‘In The End You’ll Know’
Semibreve Reveals First Acts Playing 2023 Event
Roy Wilkinson On Motörhead’s Bomber sleeve, Sea Power, Rock & War
Glass Remade/Remodelled — Various Artists
Some Sort Of Love: Lana Del Rey’s Did You Know That There’s A Tunnel Under Ocean Blvd
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Metal
Columnus Metallicus: January’s Heavy Metal Reviewed By Kez Whelan
Listen and understand, says Kez Whelan. Heavy metal is out there. It can't be bargained with. It can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop ever until you are banging your head to some sweet riffology
