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Sea Change Artists On Their Favourite Sea Change Artists

tQ Wants YOUR Music For The Dark Outside 2017

Yair Elazar Glotman & Mats Erlandsson — Negative Chambers

THIS WEEKEND: Amplification/Annihilation at Cafe Oto

Liverpool Psych Fest Announces Daytime Programme

Complete Communion: Jazz For August Reviewed By Stewart Smith

Quit Your Jingle-Jangle: The Smiths’ Strangeways Here We Come Revisited

Cyclopean Masonry: Steve Von Till Of Harvestman Interviewed

LIVE REPORT: Fluffer Records Pit Party All-Dayer

Breaking Caste: An Interview With Kapil Seshasayee

Who Will Stop The Rain? Lana Del Rey Live At Oya

1 Thing: August’s R&B Reviewed By Tara Joshi

Waste Not Want Not: Art And The Atom

Various Artists — Closed Circuits: Australian Alternative Electronic Music Of The 70s & 80s Volume 1

The Power Of The Pathetic: Ragnar Kjartansson And Margrét Bjarnadóttir

Behold! The Quietus Comics Round Up Column For August

Arrows Of Love — Product

Two Blokes Talk About Death: Director David Lowery On A Ghost Story

LISTEN: New The Comet Is Coming

Things Learned At: Dekmantel 2017

Mollie Zhang On Oneohtrix Point Never’s Good Time

Maelstrom! Sparks Interviewed

More New Names For Unsound 2017

2017 AIM Awards Nominees Announced

Another Rare Midori Takada Album To Be Reissued

WATCH: New Mai Mai Mai Video

This Saxophone Kills Fascists: Arrington de Dionyso Interviewed

Protest Sound Archive Launches

Furious, Glorious: OFF Festival reviewed

Finding The Connection: Laetitia Sadier’s Favourite Albums

Total Leatherette — For The Climax Of The Night

Lal & Mike Waterson — Bright Phoebus

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