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Mutant Radio Completes Lineup For SHAPE+-Supported Event

Climbing Up That Hill: Moundabout Interviewed

Love & Disappointment: Peter Gabriel Live

The Strange World Of… Moving Shadow

Killer Mike — Michael

Actress Self-Releases New Track, ‘Jimmy’

Sonic Youth Reveal Live Album Chronicling Their Final US Show

The Smile Share First New Song Of 2023, ‘Bending Hectic’

Teresa Taylor, Butthole Surfers’ Former Drummer, Has Died

Slowdive Detail New Album, ‘Everything Is Alive’

Straight Hedge! Noel Gardner Reviews Punk & HC For June

Prying Open The Third Eye: Arik Roper’s Favourite Album Artwork

Baal: Paul Burston On David Bowie’s Goodbye to Berlin

V/Z — Suono Assente

Creep Show — Yawning Abyss

Mean Girls, Shrews & Sluts: The Women Pop Culture Wants You To Hate

UK Home Office Moves To Restrict Drug Testing At Festivals

Berlin Atonal Reveals First Acts Playing 2023 Edition

Ticketmaster to Eliminate Hidden Fees In New Policy

Janelle Monáe — The Age Of Pleasure

Sigur Rós Reveal Surprise Album, ‘ATTA’

Shackleton And Heather Leigh Collaborate On New Album, ‘Choose Mortality’

Sea Power Detail ‘Man Of Aran’ Reissue

Bendik Giske — s/t

Across The Tracks: Oxmardyke By Philip Jeck & Chris Watson

Colin Stetson To Play ‘Hereditary’ Score Live At London’s Barbican

Matana Roberts Unveils Fifth Instalment Of ‘Coin Coin’ Series

Semibreve Adds Loraine James And More To 2023 Lineup

Iceboy Violet Reveals New Record, ‘Not A Dream But A Controlled Explosion’

Call Super Unveils New Track With Eden Samara, ‘Sapling’

Organs Of Ecstasy: Ben Chasny’s Favourite Albums

Squid — O Monolith

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