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Warp Shares Rare Aphex Twin Recording

Central London Gets New Club, Orange Yard

A Roaming Suburban Boy: William Doyle Interviewed

Ekoplekz — In Search of the Third Mantra

In Fair England: Fairport Convention’s Liege & Lief At 50

What We Talk About When We Talk About Pop: Agnès Gayraud

Expansive Gigography: Graham Duff’s Foreground Music

Rock Around The Clock: Dimitris Papaioannou In Sisyphus / Trans / Form

Mayhem — Daemon

Herzog For The Curb Era: A Serious Man Turns 10

Some Of Keith Flint’s Possessions To Be Auctioned

Andy Stott To Release New Double-EP

Gazelle Twin and NYX For ‘Deep England’ London Show

LISTEN: New Black Lips

“Nigel Farage On Guitar” – Johnny Marr On Smiths Reunion

John Chantler — Tomorrow is Too Late

Weed & Beats: Giant Swan’s Debut Album Reviewed

Bikini Kill To Play Further Shows In 2020

LISTEN: New Military Genius

Grace Jones To Curate Meltdown 2020

Zoning Out: Meemo Comma’s Favourite Albums

LISTEN: New Gentle Stranger

Shortparis — Tak Zakalyalas’ Stal (‘Thus the Steel Was Tempered’)

The Strange World Of… Chas & Dave

Sparking Joy: Family And Fireworks In Hirokazu Kore-eda’s Cinema

Playing In The Wreckage: 65daysofstatic On Making Music Under Late Capitalism

Sandunes — 11:11

Hallucinogenic Empathetic Entertainment: L.E.V Matadero Reviewed

Safe When Handled As Directed: Philip K Dick’s Ubik Turns 50

Crowdfund Launched For London Record Shop & Dubplate Studio

ZONAL feat. Moor Mother — Wrecked

Temporal Slips & The Erosion Of Time: Semibreve 2019 Reviewed

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