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Paul McCartney To Headline Glastonbury
A Very Cool Thing To Have Done: Crunchy Frog At 25
The Unanswered Question: Irmin Schmidt Interviewed
5th Chamber—Creative Reorganisation: Will Ashon Enters The Wu
Unearthing Ancient Evils: An Interview With Adam Nevill
Quantity Theory Of Inanity: Will By Will Self Reviewed
Neon Lights: The Digital Art Of Rebecca Allen
Scorn Is Back! With Added Sleaford Mod!
BOB’s Convenience Gets 30th Anniversary 7″ Release
PREGOBLIN’s Anna (Flowers Wont Grow)
Gum Takes Tooth ‘No Walls No Air’ Remix
Who Paints These Houses? On Harvey Keitel And Martin Scorsese
Michael Kiwanuka — Kiwanuka
How Punks In Churches Changed Germany & What Still Needs To Be Done
Merzbow, Keiji Haino & Balázs Pándi — Become the Discovered, Not the Discoverer
Beatrice Dillon To Release Debut Album
Sketches In Eternity: Leonard Cohen’s Thanks For The Dance
Constructs Of Sanity: LABOUR Interviewed
Overmono And Joy Orbison Collaborate On XL
WATCH: New Oh Baby Video
Design Museum To Open Electronic Music Exhibition
Record Label Blue Note To Open Pop-Up Shop
London Club FOLD Has License Suspended
No Obligatory Excuse: Is ‘The Classical’ By The Fall Racist?
William Doyle — Your Wilderness Revisited
Something Got Him Started: Mick Hucknall’s Favourite Albums
Liturgy Release Surprise New Album
Toy Story 2 At 20: Mortality And Acceptance On The Edge Of 30
Columnfortably Numb: Psych Rock For November Reviewed By JR Moores
The Leaf Library — The World Is A Bell
Moviedrone: This Month’s Finest Film Soundtracks, November 2019
Beck Releases EP Recorded At Prince’s Paisley Park
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