Archives
Daniel Davies — Signals
Gospel For A New Century: The Sublime Distortion Of Yves Tumor
Low Culture 1: The Velvet Underground Live In 1969
Ancient Rhythms, Global Rhythms: Pete Wareham’s Favourite Records
Then And Now: An Interview With The Feelies
Thammudu & Mishti — Matters Of Ascension
LINGUA IGNOTA Shares New Track Via Adult Swim
Campaign Launched To Support Record Shops During Pandemic
Stockpiled Sounds & The Consumption Of Music In Covid-19 Isolation
Wackelkontakt — Heal The Split
Anois, Os Ard: March In Irish Underground Music By Eoin Murray
PODCAST: Nuts And Bolts – Jana Winderen
Dean Blunt Shares Archival Compilation
Guy Garvey On Lockdown, Live Music And Loving The BBC
Behold! April’s Quietus Comics Column
Originality Be Damned: Elastica’s Albums Reappraised
Vladislav Delay — Rakka
RIP Krzysztof Penderecki
A World That Won’t Exist: A New History Of UK Prog Reviewed
Violence Is Everyone: An Interview With Jordan Wolfson
PREMIERE: Simon Turner’s Demo For Jarman’s Blue
Caribou — Suddenly
In Good Faith: Rose Glass On Horror Debut ‘Saint Maud’
Music Of The Month: The Best Albums And Tracks Of March 2020
Nine Inch Nails Surprise Release New Album
Porridge Radio — Every Bad
Completely In The Present: The Future Blues Of Childish Gambino’s 3.15.20
Deerhoof Announce New Album And Share Two New Tracks
Nihiloxica Return With New Single ‘Tewali Sukali’
Berlin Nightlife Community Launches Fundraising Campaign
Nadine Shah Shares New Track, ‘Trad’
Ongoing Adventures: Rachel Unthank’s Favourite Albums
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The Quietus International
Inner Ear: Lithuanian Music For June Reviewed By Jakub Knera
In his latest report on contemporary Eastern and Central European music, Jakub Knera explores Lithuania. From extensive archives to the experimental programming of Braille Satellite, he finds a fresh and Dadaist approach to music created with tape loops, hand-made instruments, and even a skateboard
