Archives
Europe Endless: Remembering Florian Schneider
Ten Things You (Possibly) Don’t Know About Kraftwerk
RIP Kraftwerk’s Florian Schneider
New Project To Present Sounds Of Sussex Woods
Sleaford Mods Unveil Unreleased Track, ‘Second’
I LIKE TRAINS Announce First Album In Eight Years
From Neu! To Kraftwerk: Football, Motorik And The Pulse Of Modernity
Momentum And Noise: An Interview With Sex Swing
The Count Of 13: Ramsey Campbell’s Weird Selection
Fra Fra — Funeral Songs
Holly Herndon & Mat Dryhurst Launch Podcast
Wire Reschedule Album Release, Share New Track
PREMIERE: Autotelia Share New Track, ‘First Flight’
Scratch Acidic: Mark Lanegan Interviewed
Phantom Posse — Forever Underground
$7.1 Million Spent Via Bandcamp On May 1
RIP The Stranglers’ Dave Greenfield
Laugh In The Face Of Dystopia: An Interview With tētēma’s Anthony Pateras
Years Of Cocktail-Flash: The Fall In 1980
Bob Stanley & Pete Wiggs Present the Tears of Technology / Tea and Symphony — Various
Unsettling Horizon Lines: An Interview With Drew Daniel Of The Soft Pink Truth
Farewell To The Flesh: Alina Szapocznikow’s Body Parts
Hum And Rumble: Sound In The World Of COVID19
Sunn O))) Release Rehearsal Demos
Einstürzende Neubauten Share New Track, ‘Alles In Allem’
Dennis And Lois: The Oldest Living Indie Rockers Of Our Luminous Age
Road to Nowhere: How ‘Dancer In The Dark’ Spelled The End For Lars Von Trier
Jerskin Fendrix — Winterreise
Music Of The Month: Albums/EPs On Bandcamp We’ve Loved In April 2020
Tony Allen Has Died, Aged 79
Mogwai To Release ‘ZeroZeroZero’ Soundtrack
Arca Shares New Single, ‘Nonbinary’
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Hream: An Exclusive Premiere Of A Film About Doug Hream Blunt
Along with the exclusive premiere of Geoffrey Hug's brilliant film about cult singer-songwriter Doug Hream Blunt, Patrick Clarke speaks to both the musician and the director about his extraordinary story. Homepage photo / film poster by Zachary Hobbs
New Weird Britain
New Weird Britain In Review For March By Noel Gardner
Noel Gardner's guide to the best of New Weird Britain returns, with extraordinary bursts of melody from Margate-via-Maine, the Bristolian blurring lines between techno and noise, fizzy meteorites of party-smashing illbience and more
