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Peep Show: Why Bette Gordon’s Variety Is More Than A Feminist Vertigo

Napalm Death — Throes Of Joy In The Jaws Of Defeatism

Dark Entries Shares Patrick Cowley Cover Of Herbie Hancock

Sarah Davachi Lines Up Live Album, ‘Figures In Open Air’

Hospital Productions To Release Expansive Female Retrospective

World Of Echo Launches Label

No Turbans In Rock & Roll? On Growing Up A British Sikh Punk

tQ’s Exclusive Monthly Round-Up Playlist: September 2020

Low Culture Podcast 2: Tariq Goddard On The Sisters Of Mercy

Jouska — EVERYTHING IS GOOD

Break It Down: Rian Treanor’s File Under UK Metaplasm

Pharaoh Overlord Detail New Album For Rocket Recordings, ‘6’

#WeMakeEvents Calls On UK Government To Support Events Industry

Boiler Room Partners With Apple Music To Share DJ Sets

Music Is My Saviour: Melanie C’s Favourite Albums

Columnus Metallicus: Heavy Metal For September Reviewed By Kez Whelan

47Soul — Semitics

I’m A JG Ballard Sexpot: An Interview With Róisín Murphy

Bowie Photos From 1973 To 1976 Form Focus Of Exhibition

Freedom To Spend To Release Charity Compilation

What’s In A Name? Chino Moreno Of Deftones Interviewed

Visceral Views: Duma Spill Their Guts

Ann McMillan / Entourage Music & Theatre Ensemble / Craig Kupka — Gateway Summer Sound: Abstracted Animal & Other Sounds / The Neptune Collection / Crystals: New Music for Relaxation 2

Gillian Gilbert Of New Order On Power, Corruption & Lies

Charles Webster Collaborates With Burial On His New Album

Justin K Broadrick Reveals First Solo Jesu Album Since 2013

Wordsworth Reimagined: tQ-Commissioned Artists Respond To The Prelude

Isabella, Jasper and Simon Fisher Turner — Savage songs of brutality and food. By the Extreme Angels of Parody

Talking Heads Gone Bleep Techno: Radiohead’s Kid A Turns 20

Behind The Mask: John Stezaker’s Surreal Assemblages

The Realness: Dhanveer Singh Brar On Dean Blunt’s Black Avant-Garde

Carl Craig & Moritz Von Oswald Reveal New Single, ‘Attenuator’

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