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Lucidvox — We Are

Former Unsound Co-Curator Launches Record Label

Previously Unreleased Ennio Morricone Music To Feature On New LP

PREMIERE: Young Knives Share Video For ‘Barbarians’

Moog Release 100th Anniversary Claravox Theremin

Caribou Releases ‘Suddenly’ Remixes EP

Poisonous Birds — We Can Never Not Be All Of Us

The World, The Flesh, And The Dancefloor: Karma And Desire By Actress

An Audience With The King: Sharhabil Ahmed Interviewed

Italians Do It Better To Release ‘After Dark 3’ Compilation

Nkisi Plans New Series Of Releases, ‘INITIATION’

Liturgy Detail New Album, ‘Origin Of The Alimonies’

PREMIERE: Paddywak Share ‘Strappin’ It On’

Planet Mu Marks 25th Anniversary With Compilation

Evan Parker — Monoceros

Pump ‘Em Up! Elvis Costello’s Favourite Music

Rum Music For October Reviewed By Jennifer Lucy Allan

Jarvis Cocker Covers The Fall For Barbican Exhibition

Novation And Aphex Twin Announce New Hardware Synth

Arts Council England Reveals Further Round Of Culture Grants

Arts Council England Reveals £18 Million Fund For Artists

Resistance Revival Chorus — This Joy

Hope In Extremity: An Interview With Barney Greenway Of Napalm Death

‘Everywhere At The End Of Time’ Becomes TikTok Challenge

Rockfort! French Music For October By David McKenna

Too Much Too Soon: Menswear’s Nuisance Revisited

Calyces — Impulse to Soar

Kosmische Kid: The Celestial Soundscape Of John Was Trying To Contact Aliens

Room To Live: Dave Haslam On Sylvia Plath & Ian Curtis

Beyond The Vulva Mirror: Tantra At The British Museum

Take Apart My Baby’s Heart: Peter Salmon On Jacques Derrida & Music

Angel Of Death: Reframing Montgomery Clift At 100

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