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Driving Force: Adam Franklin’s Baker’s Dozen

Aron and the Jeri Jeri Band — Dama Bëgga Ñibi (I Want To Go Home)

Julia Holter Details New LP, ‘Something In The Room She Moves’

Spool’s Out: Cassette Reviews For January By Daryl Worthington

Kreidler — Twists (A Visitor Arrives)

The Ever Present : Remembering Phill Niblock

Donato Dozzy Unveils New Album, ‘Magda’

Safe As Houses: An Interview With Bill Ryder-Jones

Pyur — Lucid Anarchy

Quietus Albums Of The Year 2023 (In Association With Norman Records)

The Wonder Of Yew: Sealionwoman Interviewed

Organic Intelligence XXVII: A Psych Rock Christmas

Tremor Festival Announces Further Names For 2024

Echoes Of A Horror To Come: The Exorcist At Fifty

Music For Humanitarian Aid In Gaza

The Fall’s Paul Hanley On Buzzcocks Book

The Quietus’ Top 75 Tracks Of 2023

Hyperspecific: The Best Electronic Music Of 2023

Straight Hedge! The Best Punk And Hardcore Of 2023

Low Culture Essay: Eamonn Forde On The Harrods Princess Di & Dodi Statue

Love Bytes: Artists Choose Their Favourite Music By The Black Dog

Regan Bowering — Solos for _ _ _ _ spaces

Rum Music: The Best Of 2023 Reviewed By Jennifer Lucy Allan

Laura Cannell — Midwinter Processionals

Festival Report: Unsound New York

Rockfort! The Best French Music Of 2023

Low Culture Podcast: Acid Horsing & Reflections On 2023

FRANKIE — Heaven/Hell

The Fall’s Perverted By Language Revisited 40 Years On

Among The Rocks And Roots — Pariah

tQ’s Reissues Etc. Of The Year 2023 (In Association With Norman Records)

Third Man Label Market This Weekend

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