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The Mother Of Reinvention: Julian Cope’s Peggy Suicide 30 Years On
Little Simz Reveals New LP, ‘Sometimes I Might Be Introvert’
Flying Lotus Shares Two Tracks For Netflix Anime Series
Manchester Psych Fest Unveils Full 2021 Lineup
PREMIERE: Piglet Shares New Track, ‘Mill’
Seefeel Share Four Previously Unreleased Tracks
Sound City Ipswich To Return This October
Balancing Act: An Interview With Howie Lee
Minimalist Requirements: Gareth Jones’ Favourite Music
Aerosol Jesus — Survive
Loney Dear — A Lantern and a Bell
Columnus Metallicus: Heavy Metal For April Reviewed By Kez Whelan
Kevin Martin To Release New Score For 1972 Film ‘Solaris’
New Weird Britain In Review For April By Noel Gardner
Mouse On Mars — AAI
The Strange World Of… Rudimentary Peni
NTS Details Full 10th Anniversary Lineup
Columnfortably Numb: Psych Rock For April Reviewed By JR Moores
The Antlers — Green to Gold
No Beats, No Bloomsburys: Jonathan Meades Talks Blair, Brutalism & Benny Hill
There’s A Ghost In My House: An Interview With Rachel Whiteread
Black Lives In Music Launches Survey Of Artists’ Experiences
A Deafening Glory: On Sound Of Metal And The Hell Of Noise
MXLX — Nebula Rasa
Emptyset’s James Ginzburg Unveils New Album
Questlove Details New Book, ‘Music Is History’
Birmingham Gets New 3,500-Capacity Venue, Forum
Events Could Be Axed Within Days Without Insurance Scheme
Foodman Unveils New Album For Hyperdub, ‘Yasuragi Land’
Daniel Avery Details New Album, ‘Together In Static’
Tresor Unveils 30th Anniversary Box Set
Manslaughter 777 — World Vision Perfect Harmony
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