Patrick Clarke, Author at The Quietus | Page 6 of 10

Elaine Mitchener on Curating This Year’s Deep Time Festival

Something They’ll Never Have: Why Hatful of Hollow is The Smiths’ Best Album

What You Give is What You Get: Paul Weller Live in London

Bring in the Darkness: An Interview with Norman&Corrie

Reissue of the Week: Violent Femmes’ Hallowed Ground

The Archivist: Mark Webber of Pulp’s Baker’s Dozen

No Ordinary Thing: The Momentous Life & Times of Dory Previn 

Columnfortably Numb: Psych Rock for November Reviewed by JR Moores

Let Me Rock You: Chaka Khan’s ‘I Feel For You’ at 40

Music of the Month: The Best Albums and Tracks of October 2024

A Deadhead Sticker on a Cadillac: Don Henley’s ‘The Boys Of Summer’ at 40

tQ Subscriber Release: R. Aggs

Spool’s Out: Cassette Reviews for October by Daryl Worthington

Augmenters of Reality: tQ’s Highlights of Semibreve 2024

It Always Ends In Hope: Dawn Richard’s Favourite Albums

Welcome To The Pleasuredome: Frankie Goes To Hollywood and the Queering of the 1980s

The Strange World of… Mike Vest

Reissue of the Week: Squarepusher’s Ultravisitor

Radical Traditional: Folk Music for Autumn, by Patrick Clarke

The Moments of Rupture: Andy Abbott on Composing Music for Psychiatric Wards

The Strange World Of… Lou Reed

Rockfort! French Music for October, Reviewed by David McKenna

Robyn Rocket Hosts Crowdfunder for Vinyl Release

Ashtray Time: Michael on the Joy of Throwing Pots

Cosmic Breakthrough: An Interview with Anastasia Coope

Since Yesterday, and The Sororal Strength of Scottish Girl Bands

The Lonely Street: John Cale’s Island Trilogy, 50 Years On

Crowdfunder Launched for New Book Celebrating London’s Independent Venues

Kevin Richard Martin talks The Bug, KMRU, Amy Winehouse and More

Conductor of Magic and Chaos: The Roscoe Mitchell Solo Saxophone Concerts at 50

Beautiful Losers: Jim Reid of The Jesus And Mary Chain’s Baker’s Dozen

New Weird Britain in Review for October by Noel Gardner

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