Archives
Reissue of the Week: Orbital 2 (The Brown Album Expanded)
The Strange World Of… Editions Mego
The Chameleons’ What Does Anything Mean? Basically, at 40
Last Few Acid Horse Weekend & Day Tickets Remaining
Reissue of the Week: Shirley Collins’ Sweet England
35 Years On: X-Clan’s To The East Blackwards Revisited
The Countercultural Figures who Helped Give Birth to the Neo-Nazi Terrorist Networks of Today
Three Album Run: How Rock Music Never Bettered AC/DC’s Powerage, Highway To Hell & Back In Black
50 Years On: Hawkwind’s Warrior On The Edge Of Time Revisited
Reissue of the Week: Butthole Surfers Live At The Leather Fly
The Strange World of… Steve Aylett
Music as a Weapon: The Sonic Power of The Raincoats
Metal Modernism Comes To Portugal!
Ooooh Betty! Nasty Gal By Betty Davis Turns 50
Reissue of the Week: TV, Anime & Manga New Age Soundtracks 1984-1993
Brooklyn Bass Music: Masta Ace Incorporated’s Sittin’ On Chrome turns 30
Remembering Alan Lamb, by Lawrence English
Nuclear Family Folk: MPTL Microplastics Interviewed
From Death Race 2000 to GTA: Celebrating Half a Century of Violent Future Sports
Reissue of the Week: Berserker by Gary Numan
Reissue of the Week: Tangerine Dream’s Phaedra
The Strange World Of… Kevin Drumm
Reissue of the Week: Sun Ra – Nuits de la Fondation Maeght
An Extract from Exterminate/Regenerate: The Story Of Doctor Who by John Higgs
Reissue of the Week: Henry Badowski’s Life Is A Grand
Northern Gothic: Rainy Miller Interviewed
The Strange World Of… Brainiac
How to Talk to your Son about Dangerous Extremist Influencers
Do You Know What a Love Letter is? Mike Scott of The Waterboys Interviewed by John Higgs
Addicted to Humus: Matthew Ingram on the Revolutionary Potential of Compost
Metal Modernism Comes to Tasmania This April
Keepin’ It Dirty: A celebration of ODB’s Return To The 36 Chambers: The Dirty Version
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A Quietus Interview
Sadness & Hope: The Harrowing Journey Of Mohammad Syfkhan
John Doran talks to bouzouki player, folk singer and Syrian emigrant Mohammad Syfkhan about his astounding album, I Am Kurdish, and considers what it means to be an Irish musician. With thanks to Willie Stewart and Cormac MacDiarmada. CW: contains biographical details that may cause distress
A Quietus Interview
The Sound Of Rain: Mark Fell And The Quietest Room In Europe
John Doran speaks to the renowned leftfield electronic music producer and sound installation creator about 64 Beautiful Phase Violations - an experiment in an anechoic chamber. With thanks to Rory Gibb and Kit Turner for essential moral and technical guidance. Features embedded short documentary. Mark Fell portrait by Connie Treanor
A Quietus Interview
Time For Harmony In This World: An Interview With Hieroglyphic Being
Chicago's Jamal Moss sinks the legacies of house music and Sun Ra into abrasive and acutely psychoactive takes on club music, noise and industrial. In advance of a UK/Europe tour, he speaks to Rory Gibb about expressing the ambiguities of real life
A Quietus Interview
Reverse Engineering: Danny Hyde On Coil, Backwards & NIN
Two decades after Coil finally finished tinkering with tracks, Backwards has finally been release. Russell Cuzner talks to Danny Hyde, the band’s engineer, co-producer, co-writer and programmer about this 'lost' album and the Nine Inch Nails’ material, released last year as Recoiled. Contains NSFW video imagery
A Quietus Interview
Extreme Language: An Interview With Justin K. Broadrick
Under the alias JK Flesh, long-running industrial/metal pioneer Justin Broadrick returns to the electronic crucible, fortifying blazing walls of distortion with iron wrecking-ball beats. He speaks to Joseph Burnett about his remarkable history, "hateful and fucked" music, and future plans
