John Doran, Author at The Quietus

The Shark of the New: Jaws 50 Years On

Moderate Chaos: Jerskin Fendrix Interviewed

Reissue of the Week: The Cure’s Mixes Of A Lost World

Peer Review: Peter Strickland Interviews Cosey Fanni Tutti… and Vice Versa

The Strange World Of… The Young Gods

Thriller in England: Steve McQueen by Prefab Sprout at 40

Some Might Not Say: What a Glut of New Oasis Books is Leaving Unwritten

Lyra Pramuk on Astrological Divination

“Being Different isn’t Something to Take Lightly”: Jarvis Cocker Interviewed

Reissue Of The Week: Pete Shelley’s Homosapien

London’s New River Studios to Host ZXFU Event with Sly & The Family Drone and More

A Condition of the Space: Mary Anne Hobbs Interviewed

Auto-Invention: The Soft Boys’ Underwater Moonlight Revisited

Reissue of the Week: Kendrick Lamar’s To Pimp A Butterfly (10 Year Anniversary Edition)

Heavy Metal Rituals: Osmium Interviewed

Ride the Lightning: An Interview with FOUDRE! 

Reissue of the Week: Orbital 2 (The Brown Album Expanded)

The Strange World Of… Editions Mego

The Chameleons’ What Does Anything Mean? Basically, at 40

Last Few Acid Horse Weekend & Day Tickets Remaining

Reissue of the Week: Shirley Collins’ Sweet England

35 Years On: X-Clan’s To The East Blackwards Revisited

The Countercultural Figures who Helped Give Birth to the Neo-Nazi Terrorist Networks of Today

Three Album Run: How Rock Music Never Bettered AC/DC’s Powerage, Highway To Hell & Back In Black

50 Years On: Hawkwind’s Warrior On The Edge Of Time Revisited

Reissue of the Week: Butthole Surfers Live At The Leather Fly

The Strange World of… Steve Aylett

Music as a Weapon: The Sonic Power of The Raincoats

Metal Modernism Comes To Portugal!

Ooooh Betty! Nasty Gal By Betty Davis Turns 50

Reissue of the Week: TV, Anime & Manga New Age Soundtracks 1984-1993

Brooklyn Bass Music: Masta Ace Incorporated’s Sittin’ On Chrome turns 30

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