Support The Quietus
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
In 1958, Decca Records audaciously began to record Wagner’s epic, 15-hour Ring Cycle. As Phil Hebblethwaite explains, there was more at stake than art. Decca was a classical music underdog determined to land a knock-out punch on arch rival EMI
Phil Hebblethwaite invites you into Brahms’s German Requiem, one of the worst-named pieces of classical music in the canon. It has nothing to do with nationalism, or the church, and should have been called what Brahms later suggested: A Human Requiem. It couldn’t be more relevant in 2017