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In the second in our series exploring the connections between far right politics and music, Dylan Miller investigates the satanic-fascist Order Of Nine Angles and how, via musician and artist Richard Moult and the experimental folk scene, they have connected with the UK underground. Please note - this article contains imagery that some readers might find disturbing.
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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