Iceland-based electronic musician Ben Frost returns next month with his brutal, noise-scorched new album A U R O R A. Ahead of his London show this week and Sonar Barcelona in June, he speaks with Tristan Bath about the making of the new album, traveling to the DR Congo as part of Richard Mosse's The Enclave project, and composing by ear in an age of visual music
As concern grows over what the corporate internet's flattening of time might be doing to our minds, a host of modern artists are using its own devices to resist the onslaught, slowing music and art and allowing time for its meaning to sink in. Ryan Diduck examines the significance of these 'com-lagged' works of art
In this month's Low Culture essay, Jennifer Lucy Allan rewatches the infamous rave episode of 90s TV detective drama Inspector Morse, and discovers that while he might have preferred lunchtime ale to nocturnal pingers, the Oxford detective knew all about a comedown
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale
Recently discovered free jazz gems from Los Angeles and Berlin, orchestral free jazz spiked by West African grooves, folk-jazz tracing the history of indigenous North American Wabanaki people, and dynamic dice-and-splice free jazz assemblages from LA are featured in Peter Margasak’s latest round up of jazz and improvised music.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020