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The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
The Knife's new live show has baffled, irritated and delighted audiences in equal measure. After their show at London's Roundhouse last week, Alex Macpherson sat down with the group to discuss communication, the politics of movement and reconfiguring peoples' expectations
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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