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Sod the first few EPs, we say a band's real hidden gems are buried at the end, among the ill-advised career moves and last grasps at fading relevance. Here, tQ writers fight the corner for their favourite unloved and underrated records from the tail-end of their favourite artists' discography.
In his first diary for the Quietus, John Moore had a nasty accident with a pair of scissors and a shredder. Ever the artist, he didn't let this stop him making some fingerbob bongo. Pictures may appear work unsafe...
Former thirsty absinthe importer, Mary Chain drummer, Black Box Recorder guitarist and debonair man of letters Mr John Moore starts a new diary for the Quietus. In Part One, an altercation with a shredder leaves him rueing the fact that, all too often, the first cut is the deepest
With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact
On the occasion of the Berberian Sound Studio and Katalin Varga director releasing Wasp Boutique, a collaboration between Art-Errorist and Zsolt Sőrés, on his record label, and with a new feature film on the way, he sits down with Colm McAuliffe to talk 13 formative favourites
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