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Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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Ray Aggs speaks to Zara Hedderman about the music created during their Samarbeta residency earlier this year, exploring their relationship with folk music as a person of colour, and released exclusively to tQ subscribers today. Plus, exclusive footage documenting its process, courtesy of Low Four
Two themes are routinely described as transformative for Primal Scream’s celebrated 1991 recording: acid house and Andrew Weatherall. But, as Ben Gilbert outlines, other factors led to an album that was both era-defining and defined by the era in which it was made
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