If you read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Jim Jarmusch’s late entry into the zombie genre may first appear to be a restrained retreading of anti-consumerist tropes and fears of humanity’s auto-obliteration. But, Sean Kitching asks, if such warnings are obsolete, then why do we still fail to heed them?
Co-scripted by James Ellroy, the second film from writer/director Oren Moverman (Oscar-nominated for 2009's The Messenger) stars Woody Harrelson and a heavyweight supporting cast in a fictional character study set amid the actual corruption of the late '90s LAPD. Our Walthamstow crime correspondent Steve Jelbert investigates
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Subscribe Now
Sign up for a weekly delve into the tQ archives.
