Jim Jarmusch’s late entry into the zombie genre may first appear to be a restrained retreading of anti-consumerist tropes and fears of humanity’s auto-obliteration. But, Sean Kitching asks, if such warnings are obsolete, then why do we still fail to heed them?
Co-scripted by James Ellroy, the second film from writer/director Oren Moverman (Oscar-nominated for 2009's The Messenger) stars Woody Harrelson and a heavyweight supporting cast in a fictional character study set amid the actual corruption of the late '90s LAPD. Our Walthamstow crime correspondent Steve Jelbert investigates
In our monthly subscriber-only essay, writer Paul Flynn describes being handed a flyer for an unusual literary event which acts as a madeleine, casting him back to the 1980s, and a sexual and sonic awakening. Detail from the UK AIDS Memorial Quilt photographed by the author
Recently discovered free jazz gems from Los Angeles and Berlin, orchestral free jazz spiked by West African grooves, folk-jazz tracing the history of indigenous North American Wabanaki people, and dynamic dice-and-splice free jazz assemblages from LA are featured in Peter Margasak’s latest round up of jazz and improvised music.