Lesley Chow dissects the (semi-) serious intent behind Stephen Malkmus' nonsensical rhymes on Pavement's 3rd album which was positioned as the "logical end-point of rock". This feature was originally published in 2020 to mark the album's 25th anniversary
The recent London Contemporary Music Festival, held in a Peckham car park, provoked a debate about the role of leftfield art in deprived areas. Joe Kennedy examines some of the knotty debates around gentrification, the arts, and class in Britain today