Few have crafted electronic music as virtuosic, as moving and as futuristic as groundbreaking drum & bass duo Source Direct did in the late 1990s. In one of his first interviews since returning to action, including a set at Fabric tomorrow, Jim Baker speaks to Harry Sword about Source Direct past and present, searching for futurism in sound, and the tantalising prospect of new music on the horizon
Toby Cook raises a claw to the magisterially heavy 11 Paranoias, formed from the embers of the dearly departed Ramesses, and speaks with the band's Adam Richardson about "being paranoid in all planes, spheres and dimensions simultaneously"
Set in the grimy pre-unification Berlin of David Bowie, Lou Reed, Einsturzende Neubauten, Christiane F. is a stylish, low-budget tale of teen heroin addicts with a cult following – now at risk of being commodified into an idea rather than anything real, finds David Robb
In a satisfyingly forthright Baker's Dozen, Garbage singer Shirley Manson argues for boycotting un-gender-balanced festivals, explores Scottish sonic pride, discovering the finger-banging potential of listening to The Clash and says a life without misery is incomplete. All that plus enthusiastic recollections of music from Nick Cave, Patti Smith, The Stone Roses and more
As it's Valentine's Day we're showing how much we love our top Subscriber Plus tier supporters by giving them bonus music – here, former Simian members Jas Shaw and Simon Lord discuss how they combined vocals, long form production and the inspiration of Slavoj Žižek on their twinkling epic
With new band Deathfix, former Fugazi drummer Brendan Canty blasts off into glam-pop territory. He speaks to Glen Mcleod about teaming up with Richard Morel for this new project, filmmaking in knackered buildings and the near-psychic bonds that fueled Fugazi's incendiary live shows