If you read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Slint’s Spiderland is regularly cited as one of the most important albums of the last 30 years, yet its shadowy twin The For Carnation remains defiantly under the radar. Joe Banks makes the case for its re-evaluation while pondering the evolution of post-rock
With the band bound for the UK next week, Nick Hutchings gets an update from Britt Walford, David Pajo and Todd Brashear, discussing a new generation of fans, the Breadcrumb Trail documentary and revisiting their seminal second album
Three decades after the release of Spiderland, Joe Kennedy argues that those who waffle endlessly about post rock have made a mistake in ignoring "a lyrical blueprint which places Gothic imagery at the service of modernist ambiguity"
With Aidan Moffat's excellent new record with Bill Wells just out, we sent Daniel Dylan Wray up to Glasgow to meet the former Arab Strap man/Quietus sex columnist to discuss his top formative albums. And, with the help of beers, a record player and one powerful deployment of the phrase "get to utter fuck", here's what he picked
With Grumbling Fur's new album Preternaturals out this week as the Quietus Phonographic Corporation's second release, Daniel O'Sullivan, one half of the magickal duo and prolific multi-instrumentalist, sits down to pen us his Baker's Dozen
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Subscribe Now
Sign up for a weekly delve into the tQ archives.
