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Daniel Fraser speaks to Simon Critchley about the architecture of memory and a move toward its obliteration, the culture of stigma surrounding death in our current civilisation (as well as his distaste for that term) and his recent genre-bending philosophical treatise-cum-novel Memory Theatre
Prefaced by a short, self-conducted Q&A, we present an extract from author and philosopher Simon Critchley's new book on David Bowie — part personal memoir, part critique — in which we move between Diamond Dogs and Danton's Death, from Nietzsche to the French Revolution
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