Savath y Savalas

Proper Stories: Emilíana Torrini’s Favourite Albums

Ahead of the release of her sixth album Tookah next month, the Icelandic singer-songwriter scours her record collection (mentally) to pick her top LPs

Quietus Albums Of The Year 2018, In Association With Norman Records

The Quietus albums of the year chart returns, with our favourite 100 records released in our tenth anniversary year. Read the countdown and find out how you can support us in our work bringing you the best new music

Suede

Bloodsports

Teresa Rampazzi

Musica Endoscopica

Fever Technique: The Spectral Photography Of Francine Winham

British photographer Francine Winham shot groundbreaking images of Dizzy Gillespie, Miles Davis and Nina Simone, but the influence she had on the people closest to her may still be her most important legacy, argues Ian Opolot

The Business Of Forever: Theo Hutchcraft Of Hurts’ Favourite Albums

The lead singer of classy, continent-conquering synth duo Hurts, about to release their third album, Surrender, goes from Phil Spector to Nine Inch Nails via UK hip-hop and Bulgarian folk songs as he picks his top 13

Low End Theories: Palehorse’s Favourite Bass Albums


Before their appearance at Desertfest at the Camden Underworld this weekend, uber-heavy bass guitar maestros James Bryant and John Atkins of Palehorse salute their favourite bass albums with Kiran Acharya (and even include one that has no bass guitar at all)

WATCH: Doran Meets Aidan Moffat

Latest Noisey film now online

Verfreundungseffekt: Is Love Enough? Versioning, Translating & Self-Translating Maltese Poetry

Having come across one another’s work on The Quietus, British-Maltese writers Jen Calleja and James Vella worked together to create versions of two poems by celebrated Maltese poet Adrian Grima using literal translations. But should ‘versioning’ be considered translating? And can Maltese poets do without English translators altogether? (Portrait of Adrian Grima by Richard Phœnix)