Sarathy Korwar speaks to Patrick Clarke about how Indo-futurism, a colonialist critique of Thomas More’s Utopia, and the invention of his own new circular rhythm system have pushed his practise forwards on ambitious new album KALAK
Set in the grimy pre-unification Berlin of David Bowie, Lou Reed, Einsturzende Neubauten, Christiane F. is a stylish, low-budget tale of teen heroin addicts with a cult following – now at risk of being commodified into an idea rather than anything real, finds David Robb