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For the third instalment of his inexplicably titled 'Poetry Column', Sam Riviere considers the work of - and discusses, among other things, tennis and Žižek karaoke with - five young European poets from July 2015's Zona Nouă festival in Sibiu
The latest instalment of Jen Calleja's Verfreundungseffekt column puts into play a game of Chinese Whispers on a poem by Sam Riviere — with help from Chrissy Williams, Laura Tenschert, Livia Franchini and Jack Underwood — considering the value and the possibilities of translating a translation, flipping Walter Benjamin the bird in the process. (Illustration by Richard Phœnix)
From its password-protected tumblr past to a purple-hued Faber present, Charles Whalley re-examines Sam Riviere's latest collection — Kim Kardashian's Marriage — via data processing, flarf (and post-flarf) poetry, the commodification of the self and the cultural tragedy of reality vs. expectation. (Image by Yung Jake)
In the second instalment of his new column on contemporary poetry (abstractly titled 'Poetry Column'), Sam Riviere considers the writings of Chelsey Minnis, Frederick Seidel & Jon Leon from the starting point of Leon's own seemingly-innocuous declaration — taking in privilege, obscurity vs. self-exposure and the poet's own contempt for poetry en route — ‘Art is redemptive’
In the first instalment of his new column on contemporary poetry (Poetry Column), Sam Riviere examines - via Sontag, Calvino and the convoluted nature of the 'I' - the work of Norwegian poet, artist and possible anti-Knausgård, Audun Mortensen. (Photograph by Václav Jedlička)
Sam Riviere speaks to poet, curator and editor of recently published poetry anthology 'I Love Roses When They're Past Their Best', Harry Burke, about defying borders and boundaries, technological determinism and whether or not poetry should be free
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