In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
Jim Jarmusch’s late entry into the zombie genre may first appear to be a restrained retreading of anti-consumerist tropes and fears of humanity’s auto-obliteration. But, Sean Kitching asks, if such warnings are obsolete, then why do we still fail to heed them?