Support The Quietus
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
Ten years on, the story of how English pianist Joyce Hatto and her husband scammed the classical music industry takes on an extra potency, says Phil Hebblethwaite, as if it foresaw the world we live in now, with blurred lines between what’s real and fake, and experts firmly on the ropes